I’ve just been to see the Beryl Cook exhibition, Pride and Joy, at The Box in Plymouth.
As it happens, it was just in the nick of time because it ends at the weekend.
It’s a wonderfully thought-out display of Cook’s work. It makes you appreciate her influences and great skill as an artist.
I loved the paintings of her family in particular and everyday scenes like the market and a car boot sale. The details in some of the paintings are tremendous. Little warm and comedic asides playing out alongside the main event.
I have never seen so many people smiling and giggling as they walk around an art exhibition. Sheer joy.
Beryl Cook (1926-2008) was a quiet, private person but one of life’s great observers, going out and about from her Plymouth guest house and finding inspiration in pubs, clubs and on the seafront.







Plymouth was my stomping ground from 1979-1982 when I was doing my training. It was fascinating to think I might have seen some of these real-life tableaux unfolding around me.
But back then I was coming up to twenty and only interested in live bands and having fun with my fellow trainees.
When we left the exhbition yesterday, I followed my memories to drive along the back of the Hoe, turning left into Lockyer Street where I remembering once sitting one of many Teeline shorthand exams until I hit the magic spot of one hundred words a minute which meant I’d passed.
At the junction, we had to wait while a Beryl Cookesque woman – large and colourful – crossed the road. It was perfect timing.
Down at the Barbican, we strolled to our lunch stop overlooking the boats in the harbour.

At one point, I was sure I’d spotted a fellow trainee, wandering around the Barbican in shorts and a sun hat.
I chased after her, shouting ‘Susan, Susan!’ but it wasn’t Susan, which is not surprising because Susan lives in Scotland and would not be in Plymouth unless we were having a reunion.
The thing is, this Susan looked like my Susan only maybe thirty or forty years younger, just as I remembered her.
I even asked the woman if she was sure she wasn’t Susan but she didn’t understand me because she was Spanish.
Then it was a fish and seafood lunch overlooking the boats and a stroll to see the work of another Plymouth artistic genius, Robert Lenkiewicz (1941-2002).
Like Cook, his work at the time was unfashionable in high art circles but popular with the public.
When I was in Plymouth in 1979, the Barbican Mural next to his studio – where a fellow trainee the year above me had a flat – was truly wonderful.
Now, it’s been allowed to fade and rot, which is an absolute travesty and so very sad.


My paternal grandfather was born in a pub run by his parents in Martin Street, Plymouth, just off Union Street. Family legend has it that, as a child, he set the cannon balls that formed part of a monument on the Hoe rolling down the hill. This can’t be true because they are glued together, or maybe it is and the glueing happened after Grandpa’s childhood exhuberance.
So what with my grandfather’s Janner status and my own connection to Britain’s Ocean City, Plymouth holds a very special place in my heart.






















